Even as a beginning cellist many years ago, the question arose in Zoltan Szabo’s mind – why are there so many editions of the six Johann Sebastian Bach suites for solo cello? As his skill and knowledge grew, the question remained an open one for him. There are no manuscripts of these important works in the composer’s own hand, but there four 18th century manuscript copies. These four different manuscripts have spawned more than 100 published editions, not including reprints. As time has passed, cellists have chosen different editions for many reasons, not always the best ones. Some may have been chosen because they were inexpensive, some because they had a nice cover, or for other reasons, but there is no single definitive edition, nor is there likely to be one. That is not even Szabo’s goal, for there is no original to consult, but he finds and studies all of the various editions of the master’s work, and tries to record the differences and changes that have been made over th
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